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And so on. And so on and so on.
And so on and so on and so on. On pages forty eight and 49 there is a perfect riot of previous jokes, such as the n th variation of the whiskers joke and a fearful and excellent pun about Belgian hares and heirs. On next views I go no further more. This, try to remember, is the e-book that Cobb’s publishers, evidently with his possess Nihil Obstat , pick at his best. This is the formal masterpiece of the “new Mark Twain. ” Yet, even so laboriously flabby a farceur has his moments.
I change to Frank J. Wilstach’s Web page 104. Dictionary of Similes and come across this credited to him: “No much more privacy than a goldfish. ” Listed here, at past, is a little something genuinely humorous.
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Below, also, is a thing seemingly new. VIII. HERMANN SUDERMANN. Sudermann was a single of the 1st deer flushed by Ao Holz and Johannes Schlaf, the founders of German naturalism. He experienced prepared a couple of successful novels, ” Frau Sorge ” and ” Der Katzensteg ,” prior to the Uberbrettl’ received on its legs, and so he was a recruit worth snaring. The original fruit of his enlistment was ” Die Ehre ,” a reductio advertisement absurdum of Site 106. Prussian notions of honor, as incomprehensible outdoors of Germany as Franz Adam Beyerlein’s ” Zapfenstreich ” or Carl Bleibtreu’s ” Die Edelsten der Nation . gabriel leonard the essay pro ” Then followed ” Sodoms Ende ,” and after it, ” Heimat . ” Presently the emptiness of naturalism was commencing to oppress Sudermann, as it was also oppressing Hauptmann. The latter, in 1892, rebounded from it to the unblushing romanticism of ” Hanneles Himmelfahrt . ” As for Sudermann, he chose to temper the rigors of the Schlaf-Holz formulation (by Ibsen out of Zola) with sardoodledum.
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The final result was this ” Heimat ,” in which naturalism was wedded to a mellow sentimentality, caressing to audiences bred on the drama of perfumed adultery. The entire very last scene of the play, in fact, was no far more than an echo of Augier’s ” Le Mariage d’ Olympe . ” It is no question that even Sarah Bernhardt pronounced it a wonderful work. Since then Sudermann has wobbled, and in the novel as well as in the drama.
Lacking the uncanny versatility of Hauptmann, he has been unable to conquer the two fields of romance and truth. As a substitute he has shed himself concerning them, a rat without having a tail.
” Des hohe Lied ,” his most profitable novel considering the fact that ” Frau Sorge ,” is something but a very first-price perform. Its opening chapter is a superlatively high-quality piece of writing, but right after that he grows unsure of his way, and towards the end just one commences to question what it is all about. No coherent Webpage 107. idea is in it it is only a sentimentalization of the uncomfortable if it were being not for the naughtiness of some of the scenes no a person would read through it. An American dramatist has designed a participate in of it – a shocker for the very same clowns who ended up entranced by Brieux’s ” Les Avariés . “The difficulties with Sudermann, below and elsewhere, is that he has no audio underpinnings, and is a little bit uncertain about his figures and his tale.
He commences off furiously, permit us say, as a Zola, and then dilutes Zolaism with romance, and then pulls himself up and starts to imitate Ibsen, and then outings and falls headlong into the sugar bowl of sentimentality. Lily Czepanek, in ” Des hohe Lied ,” swoons at crucial moments, like the heroine of a tale for chambermaids. It is nearly as if Lord Jim must get transformed at a gospel mission, or Nora Helmer allow down her hair. But these are defects in Sudermann the novelist and dramatist, and in that Sudermann only.
In the limited story they conceal on their own he is completed before he starts to vacillate.